Crafted in 2020 by the innovative minds at Studio Minus, the Stalker is not just a chest of drawers; it is a profound exploration of the human psyche, blurring the lines between art and furniture.
At its core, the Stalker challenges traditional notions of design by embodying an anthropomorphic presence. Its creation stemmed from a desire to conceive a piece that would encapsulate our innermost projections and desires, free from external constraints. Thus, the Stalker was born—an enigmatic entity residing within one’s personal space, probing the depths of identity and individuality.
Conceptualized as a mystery chest of drawers, the Stalker beckons the viewer with its prismatic mirrors, reflecting their gaze from every angle. Its construction, meticulously crafted from solid wood, houses eleven non-identical drawers asymmetrically distributed across its form. Each drawer, adorned with tin steel handles, holds within it the potential for self-discovery, as it absorbs the essence of the artifacts it receives.
What sets the Stalker apart is not just its physicality, but its ability to evoke introspection and existential contemplation. As users interact with this enigmatic piece, they embark on a journey of self-revelation, transcending the boundaries of time and space. Through the exchange of objects and memories, a unique bond is formed, revealing the transformative power of reflection.
However, the journey of bringing the Stalker to life was not without its challenges. From designing and positioning the corner reflector to ensuring symmetrical alignment, every detail was meticulously crafted through a process of experimentation and iteration. The result is a piece that stands as a testament to the dedication and artistry of its creators, Camil Milincu and Otilia Tudoran.
The accolades garnered by the Stalker—a recipient of international prizes at prestigious competitions such as the A’ Design Awards and the IDA Competition—underscore its significance in the world of design. Its inclusion in national exhibitions, including the esteemed Romanian Design Week, further solidifies its status as a groundbreaking work of art.
In essence, the Stalker transcends the boundaries of conventional furniture design, inviting us to contemplate our place in the universe and the essence of our being. As we stand before its mirrored surface, we are confronted not only with our reflection but with the profound questions of existence itself.
